With a thoroughly original songwriter in Stephen Malkmus and a guitar sound to die for, Pavement avoided production trappings and delivered songs that rocked with heart and charmed with cerebral wit. They expand in all directions here, from furious commentary to open-hearted love songs to the sardonic classic “That’s Entertainment.” Note that The Jam regularly left their singles off the albums, and you must be at your peak when you can afford to omit a monolith like “Going Underground.” 92: Pavement – Crooked Rain, Crooked Rain The trio’s fifth and best album shows why Paul Weller’s been a world-class rock songwriter ever since. It was famously recorded in a speed-fueled three-day session, and you can hear that too. Bob Mould and Grant Hart both emerge as first-class songwriters, and the band as a formidable power trio. The protean trio poured everything into this double epic, working psych, hardcore, avant-rock and noisy pop into a loose concept about a young man’s first year of freedom. If the interplanetary stomp of “Space Truckin’” and the high-speed cruising anthem “Highway Star” don’t get your blood pumping, call the doctor.
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Deep Purple’s darker side (in full display on the last album Fireball) is largely checked this time, on an album of pure rocking celebration. This isn’t just one of the loudest and greatest rock albums ever – it’s also one of the most joyful. And it’s still energetic as all get-up, especially on the classic opener “See No Evil” and the title track’s epic guitar jam.
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The title track is his great power-trio moment, and it’s a wonder the New Age movement survived “Cozmik Debris.”Ĭlick to load video 96: Television – Marquee MoonĪ New York landmark, this album expanded the scope of punk rock by taking in the influence of free jazz and French Symbolist poetry not for nothing, the leader did rechristen himself Tom Verlaine. There’s a reason many fans remember this fondly as their first favorite Frank Zappa album: Apostrophe had so much musical invention and lyrical hilarity that it even had commercial potential (yes, “Don’t Eat the Yellow Snow” was even a single). The wonder is that Siamese Dream’s songs, including hunting gems like “Today” and “Mayonaise,” don’t get lost in the mix.
98: Smashing Pumpkins – Siamese Dreamīilly Corgan reaches for the heavens, pouring all of his guitar virtuosity and studio wizardry into a richly detailed album that still reveals new subtleties over two decades later.
There were plenty of visceral thrills in Mike McCready’s leads and Eddie Vedder’s vocal flights, but it was all channeled into the dark, sympathetic observations of “Alive,” “Even Flow” and “Jeremy.” Misfits seldom had this much power on their side. While their Seattle brethren Nirvana distrusted everything about traditional hard rock, Pearl Jam saw the opportunity to make it meaningful again. In time, blink-182 proved they had a serious side at this point nobody needed one. For all their bluster, this was a band that knew and loved its audience: If you were hitting your late teens around 1999, “What’s My Age Again?” offered reassurance that you didn’t have to grow up just yet. But few were catchier, funnier, or savvier than Enema of the State. Skate-punk produced a number of the greatest rock albums ever. One thing we’ll say without hesitation: Every one of these albums is worth a listen, whether you’re discovering it for the first time or reconnecting with a longtime favorite. And yes, some of your favorites – and for that matter, some of ours – may be missing, but rock history is so loaded by now that 100 albums can only begin to tell the story. Only one artist appears twice, as a group member and solo, but if you were a Beatle and then made a game-changing solo debut we can cut you some slack. When an artist obviously has more than one essential album, we’ve made a case for the one that we believe to be the most important of the lot. Punk and prog, hardcore and AOR, glam and metal, roots and arena rock – they’ve all got a place on this list, and your ears are better off for absorbing all of it.įinally, this list has been confined strictly to one album per band/artist.
Hence the presence of some highly mainstream albums right alongside the indie/underground entries. That said, we’ve tried to spread the wealth around, not favoring one genre of rock over another.
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